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Consulting

Which leather for which purpose.

A leather can be beautiful and still wrong: too thin for the chair, too stiff for the dress, too delicate for the bar. We prevent that mistake – before cutting, not after.

Process

  1. 01

    You describe

    Product, quantity, construction, budget. A photo or sketch helps; a reference piece helps even more.

  2. 02

    We propose

    Two or three suitable leathers from stock or via sourcing – with thickness, finish, hide size and price. Samples go by post or wait in the showroom.

  3. 03

    You decide

    From stock at short notice, sourcing with a firm date. A single hide is fine, so is a repeat order in two years.

Rules of thumb

First orientation per application. The final choice is made over a sample – with the piece you will make from it in mind.

  • Fashion

    Jackets, trousers, skirts, accessories

    Lamb nappa 0.5 – 0.8 mm; suede; stretch for close cuts

    Light skins, soft drape, good sewability. Order colour from one batch.

  • Interior

    Seating, wall surfaces, contract

    Cow 1.0 – 1.4 mm, pigmented or semi-aniline

    Large sides for large parts; check light fastness and abrasion first.

  • Automotive

    Seats, steering wheels, trim, classic cars

    Cow 0.9 – 1.2 mm, embossed or perforated

    Stretch for curves, heat and UV resistance, original grain for restoration.

  • Costume & stage

    Film, theatre, opera, shows

    Lamb, fashion leathers, patent, suede – at short notice and in colour

    Effect from a distance counts more than perfection up close; remnants are gold here.

  • Hospitality

    Banquettes, bar fronts, menus, hotels

    Cow 1.2 – 1.6 mm pigmented – or faux leather

    Cleaning agents, grease, red wine: test the surface first. Faux leather is often the more honest recommendation here.

  • Workshop & craft

    Bag makers, saddlers, bookbinders, shoemakers, makers

    Depends on the piece – single hides, butts, remnants

    Vegetable-tanned for tooling and edge finishing, chrome-tanned for softness and colour.

Who we work with

Fashion labels and ateliers. Upholsterers, interior decorators, interior architects. Costume and props departments in film, theatre and opera. Saddlers, bag makers, bookbinders, shoemakers. Restorers of furniture and vehicles. And private clients with a specific piece in mind.

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